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JUSTEN LADDA |
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| 1978 to present: lives and works in New York City | |||||||
| Solo Exhibitions |
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2016 |
Four AM, New York, N.Y.; "Pachamama" curated by Nicole Wittenberg | ||||||
| 2010 | Storefront, Brooklyn, NY; "7 mirrors and a nose" | ||||||
| 2007 | Mario DiAcono, Boston, MA | ||||||
| 1998 | Feature, New York, NY; "Rear Views" | ||||||
| 1996 | Donna Beame Gallery, Las Vegas, NV; "Kings and Queens" | ||||||
Tempozan Temporary Museum, Osaka, Japan |
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| 1992 | Jay Gorney Modern Art, New York, NY; "double dig" | ||||||
| 1990 | Jay Gorney Modern Art, New York, NY; "is it? it is, isn't it" | ||||||
| Fuller Gross Gallery, San Francisco, CA | |||||||
| 1988 | San Diego State University Art Gallery, San Diego, CA;"Simulation Meltdown" | ||||||
| Galerie Lelong, New York, NY | |||||||
| 1987 | The Israel Museum, Jerusalem, Israel; "1+1=2" (catalogue) | ||||||
| 1986 | The Museum of Modern Art, New York, NY; "Art, Fashion & Religion" (Projects Gallery) | ||||||
| 1985 | Willard Gallery, New York, NY; "The Triumph of Language" | ||||||
| 1984 | Philip Nelson Gallery, Villeurbanne, France | ||||||
| 1981 | P.S. 37, South Bronx, New York, NY; "The Thing" | ||||||
| 1980 | Extra Place, New York, NY; "Mayday Mayday" | ||||||
| ABC No Rio, New York, NY; "Time is Us" | |||||||
Selected Group Exhibitions:
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| 2019 | Rental Gallery, East Hampton, NY, "Vanquishing Ocular" , curated by David Salle and Nicole Wittenberg | ||||||
| Peter Freeman INC, NY, NY "Downtown Painting", curated by Alex Katz | |||||||
| Contemporary Art Toledo at the WalterTerhune Galler yof OwensCommunity College | |||||||
| "the Art Scene of Teenage Basquiat" | |||||||
| 2018 | Howl! Happening NY,NY, "The Art Scene of Teenage Basquiat" | ||||||
| Maier Museum of Art at Randolph College, Lynchburg, VA dto | |||||||
| 2017 | Next to Nothing Gallery, NY, NY, "this and that" | ||||||
| 2016 | CCS Bard, New York, "Receipt of a Magical Agent New Art Projects, London, UK, "2Years of Looking" |
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| Museum Zonder Muren, Amsterdam, NL,"The Stranger Next Door" | |||||||
| 2015 | Lesley Heller Workspace, NY NY, "WHO" | ||||||
| Wallworks, Bronx, NY, "Fashion Moda:35 years later" | |||||||
| MFTA, Queens, NY, "MFTA loves NYC: A Retrospective of Creative Reuse" | |||||||
| 2014 | The Lodge Gallery, New York, NY, "No City is an Island" | ||||||
| 2013 | Industry City, Brooklyn, NY, "Come Together:Surviving Sandy" | ||||||
| American Academy of Arts and Letters,New York, "Invitational Exhibition of Visual Art" | |||||||
| 2012 | Andrew Freedman Home, The Bronx, N.Y., "This Side of Paradise" | ||||||
| 2011 | Luise Ross Gallery, New York, N.Y., "SMALL" | ||||||
| 2010 | Ana Cristea Gallery, New York, N.Y., "Like a Rolling Stone" | ||||||
| Peter Blum Soho,New York,N.Y"Reflection" | |||||||
| Sue Sue Scott Gallery, New York, N.Y., "LUSHLIFE- Whistle" | |||||||
| 2009 | Cuchifritos, New York, N.Y., "datapanic" |
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| Luise Ross Gallery, New York, N.Y., "Pretty Strange" | |||||||
| 2008 | Le Magasin, Grenoble, France, "especes d'espace" (catalogue) | ||||||
| The American Academy of Arts and Letters , New York, NY, "Invitational" | |||||||
| Exit Art, New York, NY, "It's Not Easy" | |||||||
| 2007 | Colby College Museum of Art, Waterville, ME; "Contemporary Art at the Colby College Museum of Art Gifts from the Alex Katz Foundation" | ||||||
| 2006 | Hudson Valley Center of Contemporary Art, Peekskill, NY, "Reverence" | ||||||
| 2005 | Grey Art Gallery, New York, NY, “The Downtown Show: The New York Art Scene, 1974-1984” | ||||||
| Hudson Valley Center of Contemporary Art, Peekskill, NY, “figure it out” | |||||||
| 2004 | Kent Gallery, New York, NY, “Constructed Image” | ||||||
| Wave Hill, The Bronx, NY, “Reduce/Reuse/Reexamine” (catalogue) | |||||||
| 2003 | Maresca Gallery, New York, NY, “Mirrors”, | ||||||
| International Center of Photography, New York, NY, “How Human-Life in the Post Genome Era” | |||||||
| 2002 | Locks Gallery, Philadelphia, PA “The Tipping Point” | ||||||
| 2001 | The American Academy of Arts and Letters Invitational Exhibition of Painting and Sculpture | ||||||
| 2000 | Museum Dhondt-Dhaenens, Belgium; "3ness" (catalogue) | ||||||
| The Aldrich Museum of Contemporary Art,Ridgefield,CT; "Faith" (catalogue) | |||||||
| 1999 | Kunsthalle Düsseldorf, Germany, Tate Gallery, Liverpool; "Heaven" (catalogue) | ||||||
| The Bronx Museum, "Urban Mythologies" (catalogue) | |||||||
| Christinerose Gallery, "Cruise Control" | |||||||
| 1998 | Pusan Museum of Contemporary Art, Pusan, Korea (catalogue) | ||||||
| The Aldrich Museum of Contemporary Art, Ridgefield, CT; "Here" | |||||||
| 1997 | Kent Gallery, New York, NY; “Is There Still Life?” | ||||||
| American Academy of Arts and Letters, New York, NY;"1997 Invitational Exhibition” | |||||||
| 1996 | Exit Art, New York, NY; “The Shape of Sound” | ||||||
| Kent Gallery, New York, NY; “Light into Darkness” | |||||||
| 1994-1997 | Institute of Contemporary Art, Boston, MA; Contemporary Arts Museum, Houston, TX; | ||||||
| Mint Museum of Art, Charlotte, NC; The Cleveland Museum of Art, Cleveland, OH; | |||||||
| New York Historical Society, New York, NY; The Philbrook Museum of Art, Tulsa, OK; | |||||||
| Columbus Museum of Art, Columbus, OH; Tennessee State Museum, Nashville, TN; | |||||||
| San Jose Museum of Art, San Jose, CA; Honolulu Academy of Arts, Honolulu, HI; "Elvis + Marilyn: 2X Immortal" (catalogue) | |||||||
| 1995 | Paine Webber Art Gallery, New York, NY; Lehman College Art Gallery, Bronx, NY; | ||||||
| "Urban Paradise: Gardens in the City", organized by the Public Art Fund | |||||||
| 1994 | Carl Solway Gallery, Cincinnati, OH; "Desire & Loss" | ||||||
| 1993 | The Drawing Center, New York, NY; "The Return of the Cadavre Exquis" | ||||||
| The John Michael Kohler Arts Center, Sheboygan, WI;"The Illusionists" | |||||||
| The American Academy of Arts and Letters, New York, NY; "American | |||||||
| Academy Invitational Exhibition of Painting & Sculpture" | |||||||
| 1992 | Jay Gorney Modern Art, New York, NY | ||||||
| The Aldrich Museum of Contemporary Art, Ridgefield,CT; "Quotations: The Second History of Art" (catalogue) with essays by Christian Leigh and Marc Straus | |||||||
| 1990 | Krygier / Landau Contemporary Art, Santa Monica, CA; "Sculpture: the Third Dimension" | ||||||
| Kent Fine Arts, New York, NY; "Richard Artschwager, Troy Brauntuch, Justen Ladda, Peter Joseph and Jan Vercruysse" | |||||||
| 1987-1989 | Gallery 400, University of Illinois at Chicago, Chicago, IL; | ||||||
| University of Arizona, Museum of Art, Tuscon, AZ; | |||||||
| Laumeier Sculpture Park and Garden, St. Louis, MO; | |||||||
| Albany Institute of History and Art, Albany, NY; | |||||||
| Oakville Galleries: Gairloch Gallery, Oakville, Ontario, Canada; | |||||||
| University of Kentucky Art Museum, Lexington, KY; | |||||||
| Longview Museum and Arts Center, Longview, Texas; | |||||||
| Prichard Art Gallery, University of Idaho, Moscow, ID; | |||||||
| The Pennsylvania State University Museum of Art, University Park, PA; | |||||||
| The University of Iowa Museum of Art, Iowa City, IA and University Art Museum, | |||||||
| University of New Mexico, Albuquerque, NM; "The Presence of Absence: New Installations", curated by Nina Felshin, (catalogue) | |||||||
| The Aldrich Museum of Contemporary Art, Ridgefield, CT, "Selections from the Collection of Marc and Livia Straus", (cat.) | |||||||
| 1987 | |||||||
| Jay Gorney Modern Art, New York, NY; "R. M. Fischer, Justen Ladda, Peter Nagy, Joel Otterson, James Welling" | |||||||
| World Financial Center, New York, NY, The New Urban Landscape" (cat.) | |||||||
| Jay Gorney Modern Art, New York, NY, "Justen Ladda, Joel Otterson, Barbara Bloom" | |||||||
| Los Angeles County Museum of Art, Los Angeles, CA, "Avant-Garde in the Eighties” (catalogue) | |||||||
| 1986 | Kent Fine Art, New York, NY, "Reality Remade" (cat.) | ||||||
| Willard Gallery, New York, NY, "50th Anniversary Exhibition" | |||||||
| New Museum of Contemporary Art, New York, NY, "Damaged Goods: Desire and the Economy of the Object" (cat.) | |||||||
| Willard Gallery, New York, NY, "Situations" | |||||||
| 1985 | Sogetsu, Tokyo, Japan, "Art in Action", (catalogue) | ||||||
| 1984 | Artists Space, New York, NY, "Three Installations" | ||||||
| Galleria Communale d'Arte Moderna, Bologna, Italy, "Arte Di Frontiera", (catalogue) | |||||||
| Kunsthalle, Dusseldorf, West Germany, "A Different Climate" (cat.) | |||||||
| 1983 | City Gallery, New York, NY, "CAPS Fellowship Show" | ||||||
| Monique Knowlton Gallery, New York, NY, "Intoxication" | |||||||
| Schlesinger Boisante Gallery, New York, NY, "Art of Found Objects" | |||||||
| 1982 | Lisson Gallery, London, England, "New York-London" | ||||||
| Grace Borgenicht Gallery, New York, NY, "Natural History" (cat.) | |||||||
| 1981 | Wave Hill, New York, NY, "New Perspectives" (catalogue) | ||||||
| 80 Langton Street, San Francisco, California,”Painted Installations" (cat.) | |||||||
| 1980 | "Times Square Show", New York | ||||||
| Awards | The Pollock-Krasner Foundation 2019 | ||||||
| The Pollock Krasner Foundation 2003 | |||||||
| The American Academy of Arts and Letters 2001 Award in Art | |||||||
| Tesuque Foundation 2000 | |||||||
| The Louis Comfort Tiffany Foundation 1987 | |||||||
| Art Commission of the City of New York;-"Mayor's Award for Excellence in Design” 1992 | |||||||
| New York State Council on the Arts C. A. P. | |||||||
| Public Collections: | |||||||
| The Museum of Modern Art, New York | |||||||
| The Israel Museum, Jerusalem, Israel | |||||||
| The New York Public Library, New York | |||||||
| The Alex Katz Foundation, New York | |||||||
| Colby College Museum of Art, Waterville, Maine | |||||||
| Tempozan Temporary Museum, Osaka, Japan | |||||||
| The Baltimore Museum of Art, Baltimore, MD | |||||||
| The Museum of Fine Arts, Boston, MA | |||||||
| Bowdoin College Museum of Art, Brunswick, Maine | |||||||
| The Portland Museum, Maine | |||||||
| The Neuberger Museum, New York | |||||||
| Albright Knox Art Gallery, Buffalo , N.Y. | |||||||
| High Museum, Atlanta, GA | |||||||
| Permanent Public Projects: | |||||||
| 2008 | Allen Street Mall, Lower East Side, NY, park design with Chinese scholar rocks | ||||||
| 1996 | Tempozan Temporary Museum, Osaka, Japan; three installations | ||||||
| 1995 | St. Luke's Hospital, NY; Three Murals | ||||||
| P.S. 72, Bronx, NY; Design of color scheme of ground floor surfaces including four mosaics | |||||||
| 1993 | Department of Labor and Industries Building, State of Washington, Tumwater, WA; Interior | ||||||
| sculptural murals and installations | |||||||
| 1986-1991 | P.S.7, Kingsbridge, The Bronx, NY; Design of color scheme of all 1990 interior surfaces of two floor | ||||||
| building addition, four mosaics and two sculptures. | |||||||
Selected Bibliography:
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| 2011 | Art in America, review,"7 mirrors and a nose" by Sarah Schmerler, April 2011 | ||||||
| 2010 | The New York Times, review, "7mirrors and a nose" by Ken Johnson, December 17 | ||||||
| The New York Times, "Lower East Side Tale, Refracted Nine Times"by Holland Cotter | |||||||
| 2009 | The New York Times, "Hobbsian '80's", by David Gonzales | ||||||
| 2008 | work, Italy, "Call him Godzilla", by Maurizio Sciaccaluga, spring | ||||||
| Windows & Aisles, India, "Optical Illusion:Magic, Art or Science?" by Janani Gopalakrishnan Vikram | |||||||
| 2007 | Bald Ego, "JACK SPADE Bald Ego sells out!" | ||||||
| 2006 | The Journal News, "Peekskill exhibit explores spirituality" by Georgette Gonveia |
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| 2004 | The New York Times, “Transforming Life’s Debris” by William Zimmer, May 2 | ||||||
| 2003 | Newsweek ,“Truth, Beauty and the Double Helix” by B.H. Kevles, February 24 | ||||||
| 2002 | Interni (Italy),“Crystal Sculptures in the Form of Garments”, November | ||||||
| Philadelphia Inquirer, Review by Edward Sozanski, February 3 | |||||||
| 2001 | Artnews “Clothes Encounters” by Carly Berwick, November | ||||||
| Algemeen Dagblad, Netherlands,"Museum als Kathedraal voor nieuwe heiligen" by Door Flora Stiemer | |||||||
| 1999 | |||||||
| Der Spiegel, Germany, "Das Kreuz als Werbetrick", by Jürgen Hohmeyer, September | |||||||
| L'Automobile, Italy, "Auto d'autore", by Diamante D'Alessie | |||||||
| 1998 | Tema Celeste, Italy, "Chiamatelo Godzilla" by Maurizio Sciaccaluga | ||||||
| 1997 | Grand Street Magazine, “Crossing the Line”, Issue No. 63 | ||||||
| Review, “Is There Still Life?”, October 1 | |||||||
| Mainichi Daily News, Japan, review by Joseph Lieberman, March 25 | |||||||
| Osaka Shimbun Newspaper, Japan, review by Masayuki Okamura, February 1 | |||||||
| 1996 | Kansai Walker, Japan, review, October 1 | ||||||
| L Magazine, Japan, review, November | |||||||
| 1995 | The New York Times, “Four Stylish Gardeners Talk About Their Creation”, by Scott Cohen, June 11 | ||||||
| Metropolis, “Paradise Regained”, by Andrea Coller, April | |||||||
| Elle Decor, “Supercool School”, unsigned, April | |||||||
| 1994 | Book, The Magic Magic Book, artists projects with text by Ricky Jay, | ||||||
| published by The Library Fellows of The Whitney Museum of American Art, New York (Ed. of 225 + 75 A.P.'s) | |||||||
| 1993 | The New York Times, "Public Art in the Bronx", review by Holland Cotter, December 10 | ||||||
| Flash Art, "Robert Irwin, Justen Ladda, Robert Gober, Ilya Kabakov: Prop Art", | |||||||
| by Francesco Bonami, January / February | |||||||
| 1992 | Art In America, review "Justen Ladda at Jay Gorney Modern Art", by Ken Johnson, December | ||||||
| Modern Painters (London), "Backing Clinton", by Carol Kino, Winter | |||||||
| Artforum, review "Justen Ladda at Jay Gorney Modern Art", review by Andrew Perchuk, November | |||||||
| New York Times, "Justen Ladda", review by Michael Kimmelman, October 2 | |||||||
| New Yorker, "animal self" (self-portrait) by Justen Ladda, September 28 | |||||||
| New York Observer, "Cologne-On-Hudson Art Season Begins", review by Grace Gleuck, Sept. 21 | |||||||
| Atelier (Tokyo), "The Culture of Consumerism", by George Melrod, May | |||||||
| New Yorker, "Talk of the Town: School Colors", April 20 | |||||||
| 1991 | Arts, "New York in Review", by Gretchen Faust, November | ||||||
| Artnews, review by George Melrod, April | |||||||
| Arts, review by Robert Mahoney, February | |||||||
| The West Side Spirit, review by Regina Joseph, December 25 | |||||||
| 1990 | The New Yorker, review, December 17 | ||||||
| San Francisco Chronicle, "One Gallery's Finale, Another's New Space", by Kenneth Baker, March 22 | |||||||
| 1989 | Art In America, “Corporate Trophies”by Allan Schwartzman, February | ||||||
| 1988 | Arts, review by Joshua Decter, November | ||||||
| Tema Celeste, review by Susan Hapgood, Fall | |||||||
| Artweek, "The Twentieth Century in Retrospect", by Judith Christensen, February 20 | |||||||
| L.A. Times, review of exhibition "Simulation Meltdown", by Leah Ollman, February 19 | |||||||
| 1987 | Art in America, Exhibition review of Projects Room, by Holland Cotter, May | ||||||
| Artforum, Exhibition review of Projects Room at MoMA, by Kate Linker, March | |||||||
| M Magazine, West Germany, "Kunst in neuer Dimension" by Glenn O'Brien, February | |||||||
| 1986 | Artforum, "Damaged Goods: Desire and the Economy of the Object", by Kate Linker, November | ||||||
| New York Times, "Art: Objects Are Subjects of Damaged Goods", by Vivien Raynor, July | |||||||
| Village Voice, "Shop Art", by Kim Levin, July | |||||||
| Artnews, "Artists the Critics are Watching", by Eleanor Heartney, May | |||||||
| Sculpture International, exhibition review by Tsipi Ben- Haim, January/ February | |||||||
| Flash Art, exhibition review by Jane Rankin-Reid, December / January | |||||||
| 1985 | Artforum, exhibition review by Glenn O'Brien, December | ||||||
| Art in America, exhibition review by Regan Upshaw, November | |||||||
| Arts Magazine, exhibition review by Joshua Teplow, November | |||||||
| New Art Examiner, exhibition review by Eleanor Heartney, November | |||||||
| Village Voice, exhibition review by Kim Levin, September | |||||||
| Artforum, review by Denys Zacharopoulos, January | |||||||
| 1984 | Arte Factum, "Justen Ladda: L'illusion mise en pieces", by Alain Cueff, November/December | ||||||
| Artpress, France, review by Delphine Renard, Spring | |||||||
| Du (Switz.), "Lower East Side", by Vera Graaf, February | |||||||
| 1983 | World Art Trends 1982, by Claude Gintz | ||||||
| Territoires, France, "Robert Smithson et son Autre", by Claude Gintz | |||||||
| Artnews, review by Tom Lawson, September | |||||||
| Village Voice, "Situations", by Peter Schjeldahl, June 22 | |||||||
| Catalogue from Wave Hill, essay by Craig Owens | |||||||
| Basler Magazin, "Die Perspecktive Liegt im Unter Grund", by Alex Silber, June | |||||||
| 1983 | San Francisco Chronicle, by Susan Boettger, May 23 | ||||||
| Domus, Italy, "Come Usare un Quartiere Fuori Uso", Francesca Alinovi, April | |||||||
| Flash Art, "Arte della Frontiera", by Francesca Alinovi, April | |||||||
| ZG Magazine, England, "Spring", by Rosetta Brooks | |||||||
| Art, West Germany, "Kunst in den Slums", by Gabriele Von Armin | |||||||
| Art in America, "The Thing in the Bronx", by Walter Robinson, March | |||||||
| 1982 | Artforum, exhibition review by Jamie Gambrell, January | ||||||
| 1981 | Village Voice, "All Fired Up", by Lucy Lippard, December | ||||||
| Artistes, "Une Saison a New York", by Claude Gintz, October/November | |||||||
| New York Magazine, "Best Bets", by Catherine Milinaire, July | |||||||
| 1980 | Artforum, "Sex and Death and Shock and Schlock (Time Square Show)", by Anne Ominous, October | ||||||